Topher is my Dollhouse Ianto
Aug. 6th, 2009 01:10 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I think it was
alba17 who watched Dollhouse episode 13, Epitaph One, the other day, I meant to comment about it but life got in the way, so I'll make a post instead.
The reason I want to post about it, is because it reminded me of Children of Earth. In as much as it was ALMOST ENTIRELY UNLIKE CHILDREN OF EARTH IN EVERY WAY IMAGINABLE. And yet... in many ways it is the same. The brief was more or less the same, it's a coda to a series, that can be seen as an end, or as a beginning for a new series. It's completely different in tone and setting, the main characters are given a smaller role in favour of the guest characters, and it's... depressing. All very much like Children of Earth. And yet... it was fantastic and it's made me very happy that Dollhouse has been renewed.
There is somehow, a love for the characters and the universe that shines through in the writing of Dollhouse that Torchwood lacks, or at least CoE lacked. It all made perfect sense, it all fit seamlessly into the world that was created in episodes 1-12, despite the fact that is was a completely new story, characters had developed, time had passed, stuff had happened that we weren't aware of, and yet it all fit somehow. I'm in awe of writing like that, writing that can stay so true to the characters and the mood of the show. I was in awe of this episode. I won't go so far as to review it, I'd have to watch it again, but there's two things that jumped out at me.
One was Topher. Topher's my Dollhouse Ianto. I love him irrationally despite not really knowing that much about him. (I also ship him with his boss, so, you know, that's good. But beside the point.) And Topher had a big dramatic scene. Now Ianto's big dramatic scene made me cry simply because it meant Ianto really was dying and the spoilers were true, but didn't actually emotionally affect me because the scene itself was ridiculously overblown and melodramatic. I laughed at it through my tears. Compare that with Topher's scene, there's absolutely no contest. His realisation that he had thought of this, that this genius thing was so genius that it must have been his idea, that scene really did break my heart. Human drama and emotion and conflict and realisation and owww... it actually physically stung me, brought tears to my eyes and it hurt. And that's why I'm in awe of this. Death is death, and it's piss easy to yank a tear out of your viewers by killing someone off, but this? This is a fucking craft, and it's beautiful. True to the character and heartbreaking, absolutely beautiful stuff. Your mileage, I'm sure, may vary, but I'll take this sort of thing over dramatic death scenes any day.
And the second thing was quite simple, this was world destruction on a massive scale, very much like Children of Earth and yet... there was some hope. Just a glimmer, but there was hope and I was happy to have watched it and I felt good, in spite of what had happened to this universe, I felt okay about it and felt like maybe everything would turn out alright despite the fact that everyone was completely fucked. And that's the one thing Children of Earth lacked for me, and the one thing that above all else made me hate it so much. A ray of hope, it's not that fucking hard to write that in, it's not that fucking hard to leave an audience not feeling completely assraped, even when you destroy your 'verse, it can still be done.
Kudos, Whedon, I think I might decide to start loving you again.
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The reason I want to post about it, is because it reminded me of Children of Earth. In as much as it was ALMOST ENTIRELY UNLIKE CHILDREN OF EARTH IN EVERY WAY IMAGINABLE. And yet... in many ways it is the same. The brief was more or less the same, it's a coda to a series, that can be seen as an end, or as a beginning for a new series. It's completely different in tone and setting, the main characters are given a smaller role in favour of the guest characters, and it's... depressing. All very much like Children of Earth. And yet... it was fantastic and it's made me very happy that Dollhouse has been renewed.
There is somehow, a love for the characters and the universe that shines through in the writing of Dollhouse that Torchwood lacks, or at least CoE lacked. It all made perfect sense, it all fit seamlessly into the world that was created in episodes 1-12, despite the fact that is was a completely new story, characters had developed, time had passed, stuff had happened that we weren't aware of, and yet it all fit somehow. I'm in awe of writing like that, writing that can stay so true to the characters and the mood of the show. I was in awe of this episode. I won't go so far as to review it, I'd have to watch it again, but there's two things that jumped out at me.
One was Topher. Topher's my Dollhouse Ianto. I love him irrationally despite not really knowing that much about him. (I also ship him with his boss, so, you know, that's good. But beside the point.) And Topher had a big dramatic scene. Now Ianto's big dramatic scene made me cry simply because it meant Ianto really was dying and the spoilers were true, but didn't actually emotionally affect me because the scene itself was ridiculously overblown and melodramatic. I laughed at it through my tears. Compare that with Topher's scene, there's absolutely no contest. His realisation that he had thought of this, that this genius thing was so genius that it must have been his idea, that scene really did break my heart. Human drama and emotion and conflict and realisation and owww... it actually physically stung me, brought tears to my eyes and it hurt. And that's why I'm in awe of this. Death is death, and it's piss easy to yank a tear out of your viewers by killing someone off, but this? This is a fucking craft, and it's beautiful. True to the character and heartbreaking, absolutely beautiful stuff. Your mileage, I'm sure, may vary, but I'll take this sort of thing over dramatic death scenes any day.
And the second thing was quite simple, this was world destruction on a massive scale, very much like Children of Earth and yet... there was some hope. Just a glimmer, but there was hope and I was happy to have watched it and I felt good, in spite of what had happened to this universe, I felt okay about it and felt like maybe everything would turn out alright despite the fact that everyone was completely fucked. And that's the one thing Children of Earth lacked for me, and the one thing that above all else made me hate it so much. A ray of hope, it's not that fucking hard to write that in, it's not that fucking hard to leave an audience not feeling completely assraped, even when you destroy your 'verse, it can still be done.
Kudos, Whedon, I think I might decide to start loving you again.
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Date: 2009-08-06 11:40 am (UTC)The one things I'll say for COE, they weren't sure if the show would be renewed, so they made Day 5 to be seen as a finale if that were to be the case.
Your points are well taken. I may just have to get the dvd set and catch up.
Thanks Joss Whedon....
Lori
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Date: 2009-08-06 03:28 pm (UTC)You could say the same thing about Dollhouse episode 13; it wasn't shown on t.v. because it was suppose to be the series final if Dollhouse hadn't have been picked up for a second season.
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Date: 2009-08-06 03:36 pm (UTC)no subject
Date: 2009-08-06 03:52 pm (UTC)Yeah, every time someone tries to tell me that I didn't like CoE because it was dark, 'real drama' and not hearts and flowers I want to say, 'no, I didn't want a happy ending (the only person who seems to get a happy ending in Torchwood is Gwen. Dead is dead, unless you're Rhys), just a hopeful one'. A pregnant Gwen only gives me hope that Torchwood will be the Gwen Cooper Show. I've never found Gwen all that interesting, so I think I'll take a pass.
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Date: 2009-08-06 05:17 pm (UTC)Lori
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Date: 2009-08-06 06:21 pm (UTC)no subject
Date: 2009-08-07 12:08 am (UTC)Lori
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Date: 2009-08-06 12:22 pm (UTC)maybe i should
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Date: 2009-08-06 03:38 pm (UTC)no subject
Date: 2009-08-06 12:31 pm (UTC)As opposed to RTD's burn everything to the ground technique but still expect us to show up as usual the next day.
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Date: 2009-08-06 03:42 pm (UTC)no subject
Date: 2009-08-06 03:51 pm (UTC)You can have characters changed by developments. You don't have to have Star Trek TNG where people end the episode in the same place they started it but there's a difference between changed by developments and totally gutting the show of anything that drew people to it ie CoE and end of Blake's 7.
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Date: 2009-08-06 05:26 pm (UTC)Why - they have no attachment to the characters. They have nothing to compare it to. So for them, it is a stand-a-lone. They don't know about Owen and Tosh so for them one dead character who had no emotional depth means nothing to them.
Will they watch the new series? The answer I hear most often is, well probably, but I'm not going to sit around for 18-24 months and think about it. (or buy the books, merchandise, etc). If I hear about it when it comes back, I'll probably check it out.
To them, its just an action/sci-fi show. A lot don't care if Captain Jack comes back or not. Or Gwen. Or any of the other characters. The Hub? What's that. Weevils, what's that? Cardiff, where's that?
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Date: 2009-08-06 06:08 pm (UTC)I do have to wonder if I would feel differently about CoE if I hadn't seen any of Torchwood before. I would probably think, 'Looks cool but what's the big deal? It's just like every other dark sci-fi show out there.' That's what I thought when I was watching the sci-fi mini series Defying Gravity (although they did have a awesome looking space ship) or as the tag line calls it Grey's Anatomy in Space. I don't even like Grey's Anatomy when it's on Earth.
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Date: 2009-08-06 06:19 pm (UTC)no subject
Date: 2009-08-06 06:33 pm (UTC)'(She's gone back now and is watching S1 and told me that Gwen in S1 is annoying - now she gets why I'm not overly fond of the character).'
What does she think of S2 Gwen? I've never had any feelings about Gwen one way or the other. I've always found her kind of boring. Probably because no matter what she does, nothing bad happens to her and she's never had to face the consequences of her actions.
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Date: 2009-08-07 03:04 am (UTC)no subject
Date: 2009-08-07 01:39 pm (UTC)no subject
Date: 2009-08-06 02:35 pm (UTC)I think we were meant to take Gwen's baby as hope. :)
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Date: 2009-08-06 02:53 pm (UTC)no subject
Date: 2009-08-06 04:30 pm (UTC)no subject
Date: 2009-08-06 02:40 pm (UTC)I was very excited when Whisk (her name escaped me for the moment) told Boss Lady that Topher won't take meds w/o her. It was actually sweet in a broken sort of way. For once Whedon actually managed to make a good pair and good characters (mind you that doesn't happen a lot on US TV, the parings usually annoy me; Whedon's characters in general annoys me more often than not, but I like the bosslady and Topher from the start). And then I was hit by the most heartbreaking scene and you put my feeling in words beautifully.
Like I said, Whedon's characters are in general not my cup of tea, but I still kept watch his show, b/c he can write great and powerful stories. As for RTD... he's just in a completely different, lesser league, thus I won't even bother to compare the two... writing-ability wise.
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Date: 2009-08-06 03:44 pm (UTC)no subject
Date: 2009-08-06 11:15 pm (UTC)no subject
Date: 2009-08-06 03:01 pm (UTC)That is so true. I think RTD wants to be Joss, but he doesn't have writing skills to pull it off. RTD relies on melodrama too much.
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Date: 2009-08-06 03:06 pm (UTC)Topher's dramatic scene was very painful to watch and Adele comforting him was just heartbreaking. (Personally, I find Topher kind of irritating, or at least, the actor's performance of him is too full of quirks that are supposed to convey "eccentricity" but just annoy me. I think I'm developing a thing for Adele though.)
felt like maybe everything would turn out alright despite the fact that everyone was completely fucked Yes, exactly! COE left me with the opposite feeling. My show was destroyed and so were its characters. I'm still kind of in denial about the whole thing.
I might have to re-watch Epitaph because there was a lot to absorb. And I don't have any idea how this is supposed to fit in with the regular series story.
Now Ianto's big dramatic scene made me cry simply because it meant Ianto really was dying and the spoilers were true, but didn't actually emotionally affect me because the scene itself was ridiculously overblown and melodramatic. Oh, God, this is exactly how I felt about it. I did not cry during the actual scene the first time I saw it - the main impact was that, well, Ianto was dying, not the actual way they played it out. Not to mention the stupidity that caused it.
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Date: 2009-08-06 03:40 pm (UTC)Adele's hot.
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Date: 2009-08-06 04:49 pm (UTC)no subject
Date: 2009-08-06 06:27 pm (UTC)no subject
Date: 2009-08-06 06:45 pm (UTC)I can see it now: T.V. executive: He killed off half the cast but at least he didn't Russel it.
'But obviously RTD wants a new audience, which is understandable, because they don't know what a one trick pony he is, yet.'
Hahaha... that makes so much sense. I can't wait until the new audience figures out that his characters are nothing more than canon fodder (except for his female self-inserts) and his 'romantic relationships' are one character doting on a cold jerk and let's not forget his 'plane falls, everyone dies' endings. I say that as someone who never had any experience with his writing before Torchwood and now that I know what else he's written, it's SO OBVIOUS.
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Date: 2009-08-06 10:09 pm (UTC)*must wait for dvd*.